I’ve been reading a lot of Walter Benjamin’s “Die Aufgabe des Übersetzers” lately in reference. So much so that I also went back and (re)read the original. The question of course for everybody, or at least as I understand decades later and after Paul de Man, is whether the focus is on ‘translation’ as the ‘failure’ or the ‘task’ of the translator, both of which are built into the German. This comes down to whether the translator tries to translate the ‘what’ or the ‘why’ of the original, the idea of touching and either deflecting or reforming the ‘vessel,’ et cetera. The voice in my head then asks what the relationship between localizations is?
There’s an interesting thing that happens when I read translation work: I don’t feel like I’m barking up a crazy tree. This is nice. However, the other thing that happens is that I wonder exactly how I’m trying to tie things together, which doesn’t exactly work. Too many partial overlaps at once.
Things that are important here are, of course, the failure of the translation process, but also some of the other basics such as translation being not just ontological and spatial, and not just historical and temporal (which Bermann and Wood try to point to, rightfully, in Nation, Language, and the Ethics of Translation, but also specifically NOT temporal or spatial for localization.
Or rather, that is of course what is the intent with localization.
Translation is a post-production effect. It is written and then it’s translated. Even if I’m going to be difficult, or pomo, and say that repetition, adaptation and the like are also forms of translation there is still a key difference and that is the temporal aspect. However, localization specifically abuses that location of the translation. Game translation (localization) is increasingly moved from the post-production to the central production point. This follows through with the central claims of games as new media: that they have no original and are variable. This moving (temporal) position of localization also justifies the claim that games are not actually translated as it was never officially in one place or another. And more, for the case of simultaneous releases (and better yet releases with multiple languages) they are able to claim a full disabling of the temporal element of translation.